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Seiyunchin |
"To control and pull in battle" |
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Introduction The standard kanji of Seiyunchin mean “to control and pull in battle”. This is said to be an Okinawan attempt to pronounce the Hokkien/Amoy reading of the characters (pronounced "Zhi yin zhan" in Mandarin). Sei/zhi means "to control", un/yin means "to pull", and chin/zhan means "battle". Its origins are thought by some to be in the Xingyi internal system while others think it is from the Tiger Shaolin system (it is known in some schools as "the Tiger kata"). Yet another theory is that it is from the Eagle or Hawk school of Shaolin boxing. For a more on this point see "Origins of Seiyunchin". |
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The techniques of Seiyunchin are well suited for practical, close-in fighting. All of the movements are hand techniques with no kicks, a very unusual feature. Seiyunchin is a long and strength-sapping kata. It contains pulling and gripping techniques, throws, hidden techniques and requires a strong upper and lower body, good breath control and lots of stamina. Seiyunchin kata is required for Brown 1 and 2.
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Seiyunchin tuide Seiyunchin tuide is a 2 person "lock flow" drill, containing locks and holds found in Seiyunchin. It can be practised both standing and on the ground. (Click on the photo to the right to download clip.) Seiyunchin tuide is required for Brown 2.
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Seiyunchin embu Seiyunchin embu is a 2 person version of Seiyunchin that can also be performed as a single person form. Seiyunchin embu is required for Brown 3. |
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Seiyunchin happo Seiyunchin happo is an 8 point turning basics drill based on Seiyunchin.
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Orthodox history maintains that Kanryo Higaonna brought Seiyunchin kata back from Fuzhou where he learned the form from Ryu Ryu Ko. However a comparison1, 2 with Goju-ryu's sister school, Tou'on-ryu (the school of Higaonna's most senior student Juhatsu Kyoda) suggests strongly that only 4 kata were brought back by Higaonna, namely Sanchin, Sanseiru, Seisan and Suparinpei Accordingly it seems quite likely that Chojun Miyagi learned Seiyunchin during his own travels in China or perhaps even that he synthesised it from techniques learned both in China and Okinawa.
Researcher Akio Kinjo2
has suggested that Seiyunchin kata has its origins in the Eagle/Hawk systems of Fujian and that the original characters may well have been
The kata is practiced in Ryuei Ryu, which might suggest that it was, after all, a kata taught by Ryu Ryu Ko (Norisato Nakaima, founder of that school, also claimed to have studied under Ryu Ryo Ko in China). On the other hand, Kenko Nakaima (grandson of Norisato) was said to have been good friends with Miyagi and this may have more to do with the study of Seiyunchin in Ryuei Ryu than anything Norisato Nakiama might have learned from Ryu Ryu Ko. Some have speculated that it was originally half of a much longer form, the other half being the kata Seipai, however there is nothing to corroborate this other than a similarity in technical emphasis and tempo.
Footnotes
1See
Mario McKenna's article "Higaonna Kanryo and Nahate"
at
2
See Joe Swift's article "The Kempo of Kume Village" in Meibukan Magazine
No. 6 at |
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which mean "blue
eagle battle" (pronounced "Chainchin" in the Hokkien/Amoy dialect or "Qingyingzhan" in
Mandarin). This theory however appears to depend almost entirely
on homophones: it is difficult to find evidence of Shaolin eagle
techniques in the deep rooted postures of Seiyunchin. 
